Showing posts with label Hebrew fonts. Show all posts
Showing posts with label Hebrew fonts. Show all posts

Monday, June 15, 2020

MLK, X Heritage and Schiller's Ode to Joy

Because it's such a great set of sound bites, I suspect that many of us most remember Dr. Martin Luther King from his "I have a dream" speech — a speech in which he dreams that one day, "little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers".

While it's an ideal that still bears repeating, Dr. King is not the first to have considered the idea. In 1808, Friedrich Schiller wrote the words that were transformed by Ludwig van Beethoven into the first-ever symphony that employed a chorus, his Ninth ("Ode to Joy"). Referring to some future Elysium, Schiller writes "Alle Menschen werden Brüder" — all men shall be brothers. Yitzhak Peretz further expands this in his Yiddish lyric, my first exposure to Beethoven's tune, starting out with the line "Alle mentschen zaynen brider — broyne, gele, schvartze, vaysse". Rather than hoping for brotherhood in some Utopic future, he affirmatively states that we are brothers, right now, regardless of the color of our skin ("brown, yellow, black, white"). Thinking of the rainbow of my multicultural neighborhood, our store's customers, and the general area in which I live, restricting Dr. King's dream to just two extremes of skin tone seems... constrictive.

I started creating a field of generic (featureless) faces of different skin tones and hair colors, and even a couple of "covered" faces to honor the Muslims in our local community...

Further, in today's times, when our sense of gender has expanded beyond the binary, I tried adding a few faces with hairstyles that could be either male or female.

Then, finally, I added in Schiller's and Peretz's words (Yiddish is traditionally written in a variant of the Hebrew alphabet).
In checking the correct German and Yiddish spellings, I learned that some time later in his life, Peretz and others looked at his words more sarcastically than literally — though my Yiddish teacher emphasized to our post-détente class their Jewish Socialist origins. Meanwhile, I spent much of late January with an "Ode to Joy" earworm.

A design with this variety of colors lends itself well to using up vinyl scraps for the faces' hairstyles and hijabs, using paper templates to help with placement. Conversely, it does require a somewhat neutral background so as not to clash with those colors. I set my template to light gray to better visualize my layout, and after playing around with a number of colors decided that would be the correct background for my design.

Having missed Black Heritage Month and Hispanic Heritage Month, I was going to put this design away for next year. But in light of today's Black Lives Matter protests, I'm not waiting. It's not just people whose names might be "Brown" or "Hightower" (stereotypically African-American surnames) that matter: it's people whose (stereotypical) names might be Sanchez, Diaz, Rodriguez, Marcos; Chang, Wang, Li; Singh, Patel, Choudry; Farouk, Mohammed, Abdullah; Redcloud, Silverbird... and even people whose last names might be MacDiarmaid, van Gerwen, Santelli, or Rosenberg...


Saturday, September 1, 2018

More on Non-Western Alphabets, Bar Mitzvah T-Shirts

After talking with an Observant Jewish friend, I got the idea for a design I felt might be a bit more appropriate for a Bar Mitzvah t-shirt.

Design Sketch

Jewish men tend to have strong memories of the parshah (weekly Torah and Haftorah (Prophets) readings) they were required to learn for the public synagogue performance that defines most modern B'nai Mitzvah (Bar Mitzvahs). The readings are tied to specific weeks of the Jewish calendar. I came up with the graphic idea of a Torah scroll, open for reading, with the Bar (or Bat) Mitzvah's Jewish name, along with the parshah and date (intended to be written in Hebrew). I used "David ben Avraham" as a generic male name, and since my Hebrew and Jewish learning isn't that great and I wasn't at home when sketching, I chose the parshah "Vayyera" as one whose name I remembered, sketching it in English to be customized in Hebrew for any particular Bar Mitzvah.


Once I got home, I used a couple of brush markers to ink the outlines of the scroll, imported it into my graphics programs, and uploaded it into Design Space.


Note that the lines have been thickened, and the rollers colored in a single (flat) brown to make them easier to cut and weed. (I have since added a white underlayer for the parchment.)

Following the method I outlined in my previous post, I added my sample Bar Mitzvah boy's name and the words "Bar Mitzvah" in Photoshop and curved the text appropriately:



Vertical Text Typing Reversal

The problem came when I started trying to insert the vertical text in Photoshop: because I forgot to check the "switch orientation" icon, the letters were jumbled together, and when I started separating them by putting each on a separate line, they disappeared... and then they appeared, in reverse order. Even when I copied my text into vertical orientation, they were in reverse order... until I typed in my text into Character Map as it normally read.

So, if you are looking to include vertical text in a right-to-left language, you will need to remember to not reverse the order of your letters, with a notable exception:

"Ki Tetze"

I changed my sample parshah from "Vayyera" to "Ki Tetze" (כִּי־תֵצֵא‬) when I started blocking out my text. My main reason for this was a shorter name. That said, it's two words, and the last letter (yad) of the first word doesn't go all the way down to the baseline. 

Because I was having trouble getting vertical text in Photoshop, I selected a system font with Hebrew characters and copied my text into Design Space. At first, the typeface I'd originally chosen didn't show up in my system fonts there, but that was because I'd forgotten to refresh the tab to refresh my system fonts index.

Regardless of whether I entered text in Photoshop, Illustrator, or Design Space, I had to play around with line spacing to get the letters to appear as cohesive words, and with the size of my text box to make sure all those letters appeared in the text object. That said, the vertical orientation — and what I could do with it — varied from program to program.

Slanted Text

Because Design Space keeps each text block as a separately editable, but not warpable, object, rotating the text was sufficient to get it to align with the torah scroll. That said, the amount of difference in line spaces, along with the common use of the character yad as a vowel, required me to put "Ki" (kaf-yad) on a single line, with "Tetze" following as a separate vertically-aligned word.


Both Photoshop and Illustrator have better line spacing, however, keeping my letters as text causes them to handle text rotation differently from Design Space, as well as differently from each other.

Since Design Space treats each text object as a single, image-like object, using the rotation handle to rotate my vertical text ends up perfectly aligned to my slanted rolled parchment, even though each letter is on a separate line. If I place each letter on a separate line in Illustrator, rotating my object will cause my letters remain upright, but indent each line to follow the object's slant. 

Both Illustrator and Photoshop have text-orientation toggles that let you type normally, but format your letters vertically. In CS4, which is the (admittedly-ancient) version of Creative Suite I'm working with, the toggle is under the "Type" menu in Illustrator. In Photoshop, with the text tool selected, it's a small "T" with vertical and horizontal arrows that appears just to the left of the typeface selector on the text ribbon. That said, I had to rasterize my vertical text in Photoshop — making it ineditable — before I could rotate it. 

Finding New Faces

Being that I'm looking at doing some more artistic work with Hebrew text, I looked for and installed several dozen different free Hebrew typefaces I found at sources such as WebToolHub, FontSpace, Free Hebrew FontAlefAlefAlef and the Open Siddur Project. I was looking primarily for a couple of faces in Hebrew "script", of which I had none in my collection, as well as some variations in display fonts that would make for interesting (and potentially marketable) items.

These showed up nicely in Photoshop and Illustrator as expected, but didn't show up in Design Space until I saved my project and reloaded the tab.

Dates?

I'm sufficiently unfamiliar with the system of using Hebrew letters for numbers that it's going to take some more work before I'm able to complete the left-hand scroll with a reasonable sample Hebrew date.